Author Archives: Harriet Mansfield Parker

Task 2 Etel Adnan: Weight of The World

Etel Adnan: Weight Of The World describes itself as a collection marking the occasion of Adnanā€™s first solo exhibition in a public institution in the UK, at the age of 91, in the Serpentine Sackler Gallery in 2016. The first part of the book pays homage to Adnanā€™s polymathic career in a number of essays, prose and poems by artists and writers about their experiences of EtelĀ  Adnan and her work. The contributors reflect upon their connection with Adnan and their thoughts about her extensive works both artistic, linguistic. While many of the contributors comment on her political writings and exploration of language in her art, all of the writings include how much energy Adnanā€™s piece contain and how much they inspire other artists. As Hans Ulrich Obrist quotes Simone Fattal another contributor and close friend of Adnan: Ā ā€˜Her [Adnanā€™s] paintings both exude energy and give energyā€¦ paintings as pure energyā€™.

This is illustrated in the second part of the book which shows full pages plates of some of Adnanā€™s paintings and drawings chronologically from the 1960ā€™s to 2016. Colour and shape is key in her work and calligraphic style lines feature throughout her drawings. Oil paint, ceramics and illustrated screens feature as key media throughout the plates.

Connected

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Having previously explored ways of expressing human connection I became interested in the green dot used on Facebook to show that someone is online as a symbol of connection or connectedness. When people who are important to me are online I find myself feeling comforted by the presence of that little green dot even if we are not actually communicating. It is as if the green dot takes on its own companionable presence while symbolising a passive connection with an absent person.

. I wanted to bring the green dot in to the physical world; to give it a tangible presence to embody the feeling of connectedness. The digital dot is 2D so I began with acrylic paintings on lining paper.

The paintings developed from the way I see the dot. Although the dot is a flat green, my eyes perceive a lighter colour around the edge so I tried to express this in the paintings to give the dot more character and depth in 2D. I painted it large on the paper to give the object more of a presence and to make the body appear singular I experimented with textures and colour in the back ground.

. There is a lot of potential in 3D to make this abstract idea a tangible presence. An idea of the mobile app being akin to a modern omnipresent connection, like amulets connecting wearers to abstract gods, leads to wearable representations of connection which I would liketo develop with this concept.