I have decided to look at Timorous Beasties’ “Bedsit” collection.
The contemporary print makers studied together at Glasgow school of Art and some of their work depicts their student days whilst studying in Glasgow during the 1980’s.
It could be said therefore, that the designers were inspired by the Art and Craft Movement and, their art school experience. They create dramatic, contrasting prints which ooze with creativity through bold, bright, exciting combinations of colour. Their prints are filled with imagination, craziness and freedom, which is how art schools are perceived.
In the 1980’s, Glasgow was struck with poverty and their “bedsit” collection was inspired by their student accommodation and the general idea of grotty, dirty bedsits.
Their wallpaper print seems simple. From a distance, a single line of pattern runs around the paper however, only when you take a closer look, do you realise the single line is actually insects following each other. The designers wanted to change the “stereotyped” concept of bug-ridden, poor accommodation, to create a response from the audience that shows the prints to be beautiful and luxurious, whatever the subject matter. “That’s one of the things a designer should do out of duty, changing the way that people have preconceived ideas.” Paul Simmons, one half of the brand, wants viewers to change their thoughts, through producing prints which, from the surface, look bold and bright but underneath, have a personal response from the designers experience.
Alexander McQueen’s “Plato’s Atlantis” collection reminded me of the “bedsit” prints due to the bright, bold colours that seem to have a kaleidoscope based print. It could be said that both designers were inspired by what is perceived as ugly and dirty, but is actually beautiful. As McQueen said, ““I think there is beauty in everything. What ‘normal’ people perceive as ugly, I can usually see something of beauty in it”.
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