Taste, Fashion and The French Fashion Magazine
For task 7/8 we had the choice of reading 2 different texts out 2 books, I chose to look at the first text from āTaste, Fashion and The French Fashion Magazineā by Sander Miller it explains the rise and struggles of the first few fashion and lifestyle magazines published in and around Europe in the 16 and 17 hundredās, during the enlightenment in late 17th centaury and the French revolution in 1789. The authors and publishers, such as Jean Donneau de Vise, Fredrish Melchior von Grimm, Henri Bidou and many more created and published many magazines around England and parts of europe, in which they wanted to explore or showcase the different trends and fashions but also the work of other designers like, interiors. By doing this they wanted to create a window for the fashion world to bring fashion designers to the forefront making their work to be appreciated in the way other artists such as painters and musicians do.
The magazines where used as a platform to make fashion more of a common interest, influencing women on the finest clothes and creating fashions and trends. In the book āAdorned In Dreamsā by Elizabeth Wilson, she states āThe mass production of fashionable styles- itself highly contradictory, links the politics of fashion to fashion as art. It is connected both to the evolution of styles that circulate in āhighā and avant garde art; and to popular culture and tasteā. From reading the first chapter, in āTaste, Fashion and The French Fashion Magazineā by Sanda Miller. The text mainly discussed the ideas of taste and how this can alter or effect how we critique objects or work and how other people critique different things differently because they have a different taste, but it also making a valid critique. For example, Immanuel Kant states from the text āTaste, Fashion and The French Fashion Magazineā, āour subjective experienceā¦ āBeauty is in the eyes of the beholderā- affirms that there is no common denominator in our likes and dislikesā. This backās up the idea of people having different concepts of ātasteā, meaning no critique can be wrong. I found when reading this I thought It was a good concept as I may like a certain style of paintings and appreciate them where as others may have a different style to me therefore could disagree with my liking of certain works of art.
Bibliography
Barlett, Cole & Rocamora (e.d) 2013, Fashion Media: Past and Present, London: Bloomsbury
Wilson, E, (2003) Adorned In Dreams. United Kingdom: I.B Taurus & CO Ltd.
https://books.google.co.uk/books?id=Je49xdoIajwC&printsec=frontcover&dq=adorned+in+dreams&hl=en&sa=X&ved=0ahUKEwiD7rCLhfbXAhUhJsAKHaDrCBQQ6wEIKjAA#v=onepage&q&f=false