My images are by graphic artist Anthony Gerace and illustrator Mark Powell who both use elements of the past for different purposes.
Anthony Gerace distorts kitsch vintage photographs from the 1940âs-70âs in collage to create a sense of loss in his series âthere must be more to life than thisâ(1). Adding a contextual element of the post-World War 2 consumerism era which was full of prosperity for all and so highlights the relevance of second wave feminism today. The loss of image suggests the loss of past values and a progression towards coherence.
Mark Powell however, uses old envelopes to draw on. He knows nothing about the subject because he wants to âkeep a distance between the figures and myself because I like the sense of mystery that it createsâ (2) (Powell, 2013). I like the idea of not knowing either the subjects in both pieces so that we can only infer off what the artist has purposefully shown us. I think the choice of medium creates the idea of communication. The highly detailed illustration communicates a visual story of life through the wrinkles on their face. The envelope represents every person and the stories we refrain from sharing.
Both use different processes in similar repetitive ways e.g. pen strokes, cutting and placing photos for different aims. I like how they both show the importance of the past today. They raise the question to me âhow I can use my past influences to make a better change?â Perhaps through my medium choice or subject matter.
References:
(1) Anthony Gerace. (2013). There must be more to life than this. Available: http://www.hotshoeinternational.com/blog/portfolio/there-must-be-more-to-life-than-this-anthony-gerace. Last accessed 19th October 2017.
(2) Holly Simpson. (2013). Mark Powell Interview. Available: http://www.thelondonillustrationfair.co.uk/markpowell-interview/. Last accessed 22/10/17.
Images-
(1)-Anthony Gerace. (2013). There must be more to life than this. Available: http://paper-journal.com/wp-content/uploads/2013/08/21_tmbmtltt10.jpg. Last accessed 19th October 2017.
(2)-Mark Powell. (2013). Originals. Available: https://static1.squarespace.com/static/52f658d5e4b0b19928bf39b9/t/594c655ad1758edb0c0ab809/1498178910560/MP.jpg?format=1000w. Last accessed 19th October 2017.