‘Terminal Bar’ created by Stefan Nadelman, uses a versatile range of mediums to create an energetic atmosphere of the bar, steering away from the reality of it being derelict and unfortunate.

The most obvious source in the film, are the photographs taken by Stefan’s father, Sheldon Nadelman in 1972. The up close and personal portraits, combined with upbeat music, helps portray a stimulating image of each person as a character and paints an atmosphere of people in the bar being lively; even though they didn’t have much of a life at all. This is successful, as it makes the content visually exciting and easier for the audience to engage with. Combining two types of media which provoke different senses, is something I wish to explore for the same effect.

The research gathered from 1972 – 2002, is another strength about the film. The comparison of the past and present is used to shock the audience, as it identifies cultural changes and similarities. For instance, Sheldon reflects back to 1972, narrating a story about each character and the bar, then revisits the location in 2002. The bar isn’t there, but the people and surroundings are just as depressing. We see the impact it has on Sheldon’s emotions, over something that was so familiar to him. This promotes a personal connection, which the audience are able to get attached and relate too. I will use my own feelings and personal experiences in my work, to enable an audience to interact with the same emotions.