The staff listed below are all PhD supervisors at Winchester School of Art. The brief profiles include an indication of the areas staff are open to supervising at research level. See also details of Applying for a PhD.

Dr Daniel Ashton is Associate Professor of Cultural and Creative Industries. He is Co-Director of the Transforming Creativity Research Group and a member of the steering group for the Work Futures Research Centre. His research on cultural production explores themes of organisation, participation, labour, and education. He is the co-editor of Cultural Work and Higher Education (Palgrave Macmillan, 2013), and has published articles in journals including: Convergence: The International Journal of Research into New Media Technologies; Television and New Media; Games and Cultures; European Journal of Cultural Studies; Cultural Trends; and Journal of Cultural Economy. He teaches on undergraduate and postgraduate programmes, has supervised PhD projects to completion and examined PhDs in the UK and Australia. He has also worked in partnership with a range of cultural organisations on public exhibitions, teaching initiatives, and research bids. Research Interests: Creative, Cultural and Media Industries | Cultural Policy | Creative Labour | Sociology of Art | Participatory Arts | Digital Cultures | Videogames.

Dr Eirini Bazaki is a Teaching Fellow in Fashion Management Marketing. Publications and Staff Seminars include: “The Effect of Relational Elements and Value Co-Creation on Brand Extension Acceptance”(The University of Glasgow, 2013), ” A Relational Model of Model of Luxury Fashion Brand Extensions” (INTERREG, 2014), “The Value of Brand Relationships in Creative Industries” (10th Global Brand Conference, 2014),” Brand Extensions and the S-D Logic: The Effects of Co-Creative and Relational Elements on Brand Extension Acceptance” (EMAC, 2014), “Creative Industries: Is It All About Design?” (WSA, 2015). Research Interests: Luxury Brands | Brand Extensions | Relationship Marketing | Digital Marketing.

Prof Ryan Bishop is Professor of Global Art and Politics at the Winchester School of Art, University of Southampton, and co-directs the Archaeologies of Media and Technology research group (with Jussi Parikka). He currently serves as Faculty Director of the Graduate School (Faculty of Arts and Humanities). With John Armitage and Doug Kellner, Bishop co-edits Cultural Politics (Duke University Press) and serves on the Editorial board of Theory Culture & Society. He also co-edits with John Armitage and Doug Kellner the book series “A Cultural Politics Book” (Duke UP) and co-edits with John Armitage and Joanne Roberts the book series “Technicities” (Edinburgh UP). Bishop is the author or editor of 14 books including Technocrats of the Imagination: Art, Technology and the Military-Industrial Avant-garde (with John Beck, Duke Up), 2020), Seeing Degree Zero (with Sunil Manghani, Edinburgh UP, 2019), Cold War Legacies: Systems, Theory, Aesthetics (with John Beck, Edinburgh UP, 2016), American Film Comedy and Cultural Critique (Edinburgh UP 2013) Modernist Avant-Garde Aesthetics and Contemporary Military Technology (with John Phillips, Edinburgh UP, 2010) and Baudrillard Now (Polity 2009). Research Interests: Critical theory | media/mediation | visual and aural culture |literary texts/ theory | historicity, globalization, technology/ technicity | violence | militarization | technology | the senses | urbanization | aesthetics | political formations.

Dr Mihaela Brebenel is Lecturer in Digital Cultures. She is a researcher and curator, interested in the politics and aesthetics of the audiovisual in contemporary culture. Mihaela has a background in film studies, media and philosophy. Her doctoral research focused on the role and circulation of moving image media and technology in post-communist Romania. She has written on memory and uses of archival images in screen-based creative and artistic practice, artistic labour and the cultural production of subjectivity, and on the critique of participation in contemporary technologically mediated contexts. Research interests: moving images| digital screen cultures| cyber/techno feminism| critical practices exploring gender and technology| media, urban space, memory| labour and the possibilities of collective work| care and the commons.

Dr Megen de Bruin-Molé is Teaching Fellow in Digital Media Practice and Associate Director of Doctoral Programmes at WSA. She is the author of Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture (Bloomsbury, 2019), which explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. She has also written for the collection Star Wars and the History of Transmedia Storytelling (Amsterdam University Press, 2018) and the journal Film Criticism, on popular feminism, identity politics, and erasure in transmedia franchises. Since 2016 she has been an editor of the Genealogy of the Posthuman, an open-access initiative curated by the Critical Posthumanism Network ( Read more about Megen’s work on her blog: frankenfiction.comResearch interests: remix culture | (neo-)historical fiction | the Gothic | monster studies | popular feminism | adaptation and/as translation | transmedia 

Dr Valentina Cardo is Associate Professor of Politics and Identity. Her research develops across three interconnected strands: the changing relationship between the media and modes of political and civic agency; the impact of digital technologies on traditional political communication strategies (including journalism); and questions of power, identity and difference. Research publications include journal articles (in Parliamentary Affairs and British Politics) and book sections (in Brants and Voltmer’s Political Communication in Postmodern Democracy; and Riegert’s Politicotainment) on these topics. Research Interests: political communication | politics and technology | journalism | activism and technology | gender and technology.

Dr Daniel Cid is Associate Professor of Design Studies at the University of Southampton, Winchester School of Art. He is also Co-director of the Creative Practices Research Group. He is conducting a multidisciplinary research project designed to attend the problem of homelessness, made in collaboration with the Arrels Foundation (Barcelona, Spain) and Trinity Winchester charity (Winchester UK). He has recently published, in Spanish, The Dispersed House (Ediciones Asimétricas, 2020). He has recently conducted at FAD (Fostering Arts and Design) Dress Rehearsal (published also in The Design Journal), an experimental project and exhibition about food, design and sustainability).  He was coauthor of ‘Zero Flat: The Design of a New Type of Apartment for the Chronically Homeless People’ (European Journal of Homelessness). He was Scientific Director of ELISAVA until May 2015, developing projects like Design Decoding with elBulli and Ferran Adrià. Lecturer at various European, American and Asian universities. He holds a PhD in Aesthetics, Art and Architecture from University of Barcelona. Between 2007 and 2010 he was an advisor to the mayor of Barcelona on architecture and town-planning projects for the city. Research Interests: Design | Collaborative Practices | Interdisciplinary Practices | Design Education | Design Theory.

Dr Shaun Cole is Associate Professor in Fashion at Winchester School of Art and Co-Director of the ‘Intersectionalities: Politics – Identities – Cultures’ research group. He is a cultural historian interested in dressed appearance and identity. Shaun’s research particularly examines the dressed male body and the ways in which the sexual subject can be understood and formed in relation to terms of gender, class and ethnicity. The relationship between masculinity and sexual orientation and its expression through dress, fashion and the managed appearance is of particular interest (Don We Now Our Gay Apparel: Gay Men’s Dress in the Twentieth Century 2000; The Story of Men’s Underwear 2010). He was formerly a curator at the Victoria and Albert Museum in  London and consultant on the exhibitions ‘A Queer History of Fashion’ (FIT New York) and ‘Club to Catwalk: London Fashion in the 1980s’ (V&A, London). Shaun has published in international academic journals including Fashion Theory, Critical Studies in Men’s Fashion, Dress and Fashion, Film and Consumption. He is Associate Editor of Fashion Style and Popular Culture and serves on editorial boards of Costume, Critical Studies in Men’s Fashion and Fashion Studies. Research Interests: Cultural Studies | Fashion Studies | Men’s Fashion | Masculinities | Gay and Queer Fashion and Style | Subcultural Style and identity | Material Culture | Curating

Ian Dawson is an artist and Lecturer in Fine Art and Co-Director of the School’s Critical Practices Research Group. He has exhibited extensively with solo shows in New York (James Cohan Gallery), London (C&C Gallery) and Paris (Galerie Xippas) and has works in both public and private collections worldwide, including the Chaney Family collection, GossMichael Collection, and Mickey and Janice Cartin Collection. His work is featured in Contemporary British Sculpture (Schiffer Publishing) and Collage, Assembling Contemporary Art, (Black Dog Publishing).He articulated the complex relationship between the artist and the creative act in his book Making Contemporary Sculpture (Crowood Press). Recent exhibitions ‘The Wanderer’s Nightsong II’ (C&C Gallery London 2015) and ‘Taplow House’ (ASC Gallery London 2015) explore new 3D imaging technologies, and have been the outcome of an ongoing collaboration with members of the Archaeological Computing Research Group and The Centre for the Archaeology of Human Origins. Research interests: Fine Art (Practice-Based) | Sculpture | Painting | Drawing | 3D Print and new imaging technologies | Curatorial Practices | Collaborative Practices.

Prof Ed D’Souza is Professor of Critical Practice and co-director of the Critical Practices Research Group at WSA and a co-director of the Digital Suzhou Festival in China. He has worked internationally as an artist and designer and is known for his temporal, site-specific and participatory/collaborative projects. His work explores critical practices engaging with a variety of production processes and producers supported by his critical writings and publishing around social, political and cultural change. Currently he has a major project Migrant Car launched in May 2019 as part of the 1st Oslo Biennial in Norway. Recent critical writings, reviews and projects in relation to biennales include Timely Provocations: The 3rd Kochi-Muziris Biennale, review for The Biennale Foundation (2017), India’s Biennale Effect: A Politics of Contemporary Art launched at the 3rd Kochi-Muziris Biennale (Routledge, 2016), Whorled Explorations: Jitish Kallat in conversation with Robert E. D’Souza and Sunil Manghani(MARG Magazine of the Arts, 2016), a collateral project End of Empire as part of the 2nd Kochi-Muziris Biennale (2014), journal article The Indian Biennale Effect: The Kochi-Muziris Biennale 12/12/12 (Cultural Politics, Duke University Press, 2013). Read more about Ed’s work on his website forms of exchange. Research interests: design cultures | critical design practices | design activism | socially engaged art | cultural production | curation | biennial practices | site-specific art | critical theory | cultural politics.

Dr Luci Eldridge is Teaching Fellow in Fine Art at Winchester School of Art. Her practice and research is concerned with the scientific visioning of landscape as seen from satellites or through the cameras on spacecraft and rovers on other worlds. She is interested in how landscape is re-presented as digital images as a means to gain new knowledge. Her work combines traditional printmaking techniques, lens based media and collage with fictional visualisations constructed in 3D software, 3D printing, and projection. At the heart of her work and research lies the notion of reconstructed landscape and the role technology plays in forming humanity’s relationship to both the Earth and other planets. Recent exhibitions include: ‘How the Land Lies’ (Sirius Art Centre, Ireland); ‘Invisible Visions’ (Spaceport, Norway); ‘Unfolding Landscape’ (De Cacaofabriek, The Netherlands); ‘The Art of Planetary Science’ (Division for Planetary Science Conference, Utah); ‘Mission on Mars’ (Maidstone International Arts Festival); ‘Laboratory of Dark Matters’ (Guest Projects, London); ‘Framed Expanse’ (Phoenix Arts Centre, Leicester). Recent Research publications include book sections (for Image-Action-Space: Situating the Screen in Visual Practice; Laboratory of Dark Matters; Prova III) and journal articles (for Journal of Visual Arts Practice and Journal of Visual Culture). She is currently co-editing an upcoming book titled Robotic Vision and Virtual Interfacings: Seeing, Sensing, Shaping. Her full portfolio and list of publications are available here. Research interests: Fine Art (practice-based) | Printmaking | Lens-based Media | Imaging Technologies | Critical Image Theory | Data Visualisation | Art/Science | Science and Technology Studies | Space Sciences | Remote Sensing | Virtual Reality.

Dr Jonathan Faiers is Reader in Fashion and Textiles. His research interests include the interface between popular culture, textile and dress. Film and television’s construction of a shared understanding of fashion is fundamental to my work and informs my teaching, writing and curatorial projects. Accepting that fashion and textile theory is fundamentally interdisciplinary Dr Faiers has  become increasingly interested in the concept of ‘fashion thinking’ and how we need to strive for indisciplinarity, by that he means being simultaneously amongst disciplines, yet challenging the limits of those same disciplines. This is necessary in order to fully engage with textiles and dress as material culture, as representation, and as a uniquely social phenomenon. To that end he welcomes research projects that will test the limits of how we currently think about clothing and textiles. Research Interests: Popular culture, textile and dress | Film and Television | Fashion | Fashion Thinking | Material Culture | Representation | Clothing.

Dr Seth Giddings is Associate Professor of Digital Culture and Design. Publications include Gameworlds: virtual media & children’s everyday play (New York: Bloomsbury, 2014); The New Media & Technocultures Reader (Routledge, 2011); and Lister et al, New Media: a critical introduction (Routledge, 2009). In recent projects he has researched the design and testing of digital media and technologies for play, from smartphone games and robots to interactive swings. Research Interests: Digital Media Culture | Digital Games and Postdigital Play | Media Art| Theory/Practice in Media Research | Media Philosophy | Design Philosophy| Children’s Media Culture | Design for Playful Technology | Experimental Ethnography.

Prof James Hall is Research Professor in Art History and Theory. Publications include The Self-Portrait: A Cultural History (Thames and Hudson, 2014 / Italy: Einaudi / Holland: Librero / S Korea: Sigongsa / China: Shanghai People’s Fine Art Publishing House / Germany: Wissenschaftliche Buchgesellshaft); The Sinister Side: How Left-Right Symbolism Shaped Western Art (Oxford University Press, 2008 / S Korea: Puriwa Ipari Publishing, 2011); Michelangelo and the Reinvention of the Human Body (London: Chatto, 2005 / New York: Farrar, Straus and Giroux, 2006); The World as Sculpture: the changing status of sculpture from the Renaissance to the present day (Chatto, 1999). Research Interests: Aesthetics | Art History & Theory | Body Language | Caricature | Cult of the Artist | Empathy and Enactment | Exhibition History | Iconography | Image Studies | Installation | Museum History | Portraiture | Sculpture History and Theory | Self-Portraiture | The Senses of Touch and Sight | Sexual Politics | Status of the Artist | Symbolism.

Gordon Hon is a lecture in Fine Art and Visual Culture, he is co-author (with Prof. Bashir Makhoul) of The Origins of Palestinian Art (Liverpool University Press 2013) and has written widely on the relationship between art, nationalism and identity in relation to the Israel/Palestine conflict most recently as the curator of The Punishment of Luxury at the Um el Fahem Gallery Isreal/Palestine (2018-19). He is also interested in myths of origin and ontologies of the work of art, which he explored in ’The work of Death in Burgin’s Belledonne’ in Zero Degree Aesthetics: Barthes/Burgin Edinburgh University Press 2018) and ‘From the Empty Grave to the Empty Cradle: Myths of Origin and Art in the Israel/Palestine Conflict’, in Conflict and Compassion: A Paradox of Difference in Contemporary Asian Art. (Manchester 2016) He is also an artist with a diverse practice including painting, film and music and is a member of the artists’ collective Five Years. Research interests: Fine Art practice based projects | psychosocial | origins | myth | ontology of art | nationalism | post-colonialism

Dr Alessandro Ludovico is Associate Professor in Art, Design and Media at the Winchester School of Art and Adjunct Professor at OCAD University, Toronto. He is an artist and chief editor of Neural magazine since 1993. He received his Ph.D. degree in English and Media from Anglia Ruskin University in Cambridge (UK). He has published and edited several books, and has lectured worldwide. He also served as an advisor for the Documenta 12’s Magazine Project. He is one of the authors of the award-winning Hacking Monopolism trilogy of artworks (Google Will Eat Itself, Amazon Noir, Face to Facebook). Research Interests: Publishing | New media art | Hacker Culture | Software-based Portraiture | Media Archeology | Virtual Identities | Sound Art | Digital Humanities.

Prof Sunil Manghani is Professor of Theory, Practice and Critique, and Deputy Head of School, Director of Research at Winchester School of Art, University of Southampton. Publications include India’s Biennale Effect: A Politics of Contemporary Art (Routledge India, 2016); Barthes/Burgin: Notes Towards an Exhibition (Edinburgh University Press, 2016); Farewell to Visual Studies (Penn Sate University, 2015); Image Studies: Theory and Practice (Routledge, 2013); Images: Critical and Primary Sources (Bloomsbury, 2013); Painting: Critical and Primary Sources (Bloomsbury, 2015); and Images: A Reader (Sage, 2006). He is on the editorial board of the Journal of Contemporary Painting and Associate Editor for Theory, Culture & SocietyResearch Interests: Aesthetics | Art History & Theory | Art Writing | Cultural Studies | Critical Theory | Drawing & Painting | Fine Art (Practice-Based) | Global Art & Politics | Image Studies | Visual Culture.

Dr HollyGale Millette is Senior Teaching Fellow in Research and Contextual Studies on the MA (Design) Luxury Brand Management and the BA Fashion Marketing and Management courses at WSA (University of Southampton).  Her research pertains to her interest in ‘deep mapping’. Deep mapping names a hybrid cluster of creative practices that draw on the humanities and/or the social sciences. It also regularly interbreeds with memorial cartography, gendered spatial practices, haunted archaeology, psychogeography, theatre and performance, human geography, site writing, and radical spaces of resistance. HollyGale’s current writing and research is situated in: Gothic and Neo-/Victorian cultures; television; fashion literacies; celebrity; and resistant or radical communities. She has published in a number of international academic journals: Gramma/Γράμμα: Journal of Theory and Criticism (2015), Essays in Philosophy (2015); and The Journal of Comparative American Studies (2016), amongst others, and has Essays/Chapter’s in several edited volumes, publishing under the likes of Rowman & Littlefield and Palgrave MacMillian. Research Interests: Chronotopes and Heterotopias | Cultural Studies | Critical Theory | Material Culture | Celebrity Studies | Clothing and Dress | Masculinities | Neoliberal-Resistant Lifestyles | Dialectical Materialism.

Dr Clio Padovani is Deputy Head of School (Education) for Winchester School of Art. She has a track record as an exhibiting artist and academic, exploring design heritage as a driver for innovation policy in the textile industry. In her research, she explores the narrative and material culture of textile production, publishing on interdisciplinary thinking through film, weaving and writing. She is co-author of Sustainability and the Social Fabric: Europe’s New Textile Industries (Bloomsbury Academic, 2017). You can view examples of her practice-based work at Research interests: textiles | tapestry | film, weaving and writing | continuity of cultures of textile production | innovation in knowledge transfer models | the artisanal and cultural heritage sector

Dr Joanne Roberts is Professor in Arts and Cultural Management. Her areas of expertise include creativity and innovation, knowledge management, international business, and luxury studies. Joanne has published widely in leading international academic journals including the Journal of Management Studies, Journal of Business Ethics, Management Learning, and Research Policy. She is author of Multinational Business Services Firms (Ashgate, 1998; Routledge, 2020) and A Very Short, Fairly Interesting and Reasonably Cheap Book About Knowledge Management (Sage Publications, 2015). She is co-editor of: Knowledge and Innovation in the New Service Economy, with A. Andersen, J. Howells, R. Hull and I. Miles (Edward Elgar, 2000); Living with Cyberspace, with J. Armitage (Continuum, 2002); Community, Economic Creativity and Organization, with A. Amin (Oxford University Press, 2008); Critical Luxury Studies: Art, Design, Media, with John Armitage (Edinburgh University Press, 2016), and The Third Realm of Luxury: Connecting Real Places and Imaginary Spaces, with John Armitage (Bloomsbury, 2020) . Research Interests: Creative and Cultural Industries | Critical Luxury Studies, including the connections between Luxury, Art, Space, Prosperity and Inequality | Craft, Creativity and Innovation | Knowledge and Technology Studies.

Dr Yasmin K. Sekhon is Lecturer in Luxury Brand Management and Pathway leader of MA (Design) Luxury Brand Management at WSA (University of Southampton).  Her areas of research include the consumption patterns of first and second-generation immigrant communities, the consumption of luxury brands, the meaning and significance of luxury across cultures as well as the study of materialism in cross-cultural settings. She has published in a number of academic journals from Consumption, Markets and Culture Journal, Academy of Marketing Review, Non- profit and Voluntary Sector Quarterly, International Journal of Market Research amongst others. She is also on the editorial board of the International Journal of Market Research. She was also Associate editor of the Journal of Marketing Management. Research Interests: Consumer Culture Theory | Luxury Consumption | Identity, Materialism and consumption | Children and Luxury | Cross Cultural Luxury | Consumer Behaviour.

Dr Estrella Sendra is Lecturer in Global Media Industries, at Winchester School of Art, University of Southampton and as Senior Teaching Fellow in Film and Screen Studies at SOAS, University of London. Recent publications include: ‘Banlieue Films Festival (BFF): Growing Cinephilia and Filmmaking in Senegal’ in aniki: Portuguese Journal of the Moving Image, 8(1), Special Issue: Film festivals and their socio-cultural contexts: 245-272, available online (23.1.2021) here; ‘Saint-Louis Blues: From Oral Storytelling to Aural Filmmaking.’ In Shearer, Martha, & Lobalzo Wright, Julie (eds.) (2021). Musicals at the Margins: Genre, Boundaries, Canons. London: Bloomsbury: 55-70.; and ‘Video Essays: Curating and Transforming Film Education through Artistic Research’. In Damásio, M. J. & Mistry, J. (eds.) (2020) International Journal of Film and Media Arts GEECT, Special Issue Mapping Artistic Research in Film, 5(2): 65-81. Available online (13.11.20) here. She is Associate Editor of Screenworks and Editorial Board Member in the Journal of African Media Studies. Since 2011, when she directed Témoignages de l’autre côté / Testimonials from the other side (2011), an awarded documentary film about migration, she has been developing a regional expertise in Senegal. In 2018, she completed her PhD on cultural festivals in Senegal, fully funded by the Department of African Languages and Cultures at SOAS. She combines her research with practice as a filmmaker, journalist and festival organiser. She was the director of the Cambridge African Film Festival in 2014, and 2015, as well as part of the curatorial team until 2019. In 2020, she was the curator of the African Film Festival of Barcelona-FICAB. She has been involved in further festivals in Spain, Senegal, South Africa and the United Kingdom, as a jury member, organiser, media officer, curator or panelist. She is one of the editors and journalists of Wiriko, an online magazine devoted to African arts and cultures, and contributes with further media platforms internationally, such as El País in Spain and Le Soleil in Senegal. Research interests: festival studies | film festivals | global screen media | African cinema | resilience and sustainable creative industries in the global south | audiovisual representations of migration | transnational communities | youth and digital media | gender | practice research

Dr Jo Turney is Associate Professor in Fashion and the Director of Doctoral Programmes at WSA. She is a Design Historian with an interest in everyday dress and textile objects and practices, and particularly the praxis at which the ordinary becomes extraordinary. Her research considers everyday practices in a variety of ways, from the making and meanings of textiles (The Culture of Knitting, Berg, [2009]), through to their consumption, display and use (Floral Frocks, Antique Collector’s Club, [2007] and Images in Time, Wunderkammer [2011]). She is particularly interested in the ways in which users/wearers and society[ies] respond to and re-appropriate clothing and this is explored by her research surrounding women’s clothing in sexual assault court cases, and also menswear, and its relation to deviant behaviour, from the sub-cultural 1980s Casuals to today’s ‘hoodies’ and tracksuit wearing youth (Fashion and Crime, Bloomsbury [2018]).  She is the founder and Co-editor of the SCOPUS registered journal Clothing Cultures (Intellect), editorial board member of Textile: the journal of cloth and culture, and is a member of the advisory board for the Dress and Body Association. She is a founding member of the Fashion and Crime network.Research Interests: Contemporary craft theory and practice| Dress and behaviour| Menswear | Crime fiction | Fashion | Cultural history since 1970| Popular culture | Film & TV studies/ethnography and oral history | Interior Design |Textiles as Art | Amateur making, creativity, and D.I.Y | Tactility, Sentiment and Craft | The Everyday

Dr Yuanyuan Yin is a Lecturer in Design Management at the Winchester School of Art, University of Southampton. Yuanyuan completed her PhD in Design Research and MA in Design Strategy & Innovation and from Brunel University. Her research has been concentrated on promoting business performance through developing design and brand strategies, understanding customers and users, supporting design collaboration, and improving innovation in product design. As Principal Investigator, Yuanyuan has led research projects funded by University of Southampton and the Economic and Social Research Council. Research interests: Design for Ageing | User-centred Design | Customer Experience Design | Design and branding strategy.


NB. Fuller staff profiles can be found on the School website, which include further information about publications, administrative duties and on-going research.