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Performance, Page 2

Triumph and Passion with the Bournemouth SO

Will Wilkins (year 3) reports on an exciting and enlightening visit to the BSO: Last Tuesday, January 23rd, it was my great pleasure to visit a Bournemouth Symphony Orchestra rehearsal at the Lighthouse in Poole as part of a delegation from the Southampton University Music Department. The orchestra were in their second day of rehearsals for their ‘Triumph and Passion’ concerts, which were performed in Poole, Portsmouth, and Exeter over the following three days. Continue reading →

Brilliant Bach with Blaze and Balding

Second year BA Music student and violinist Columba Dromgoole-Cavazzi describes her experience of performing in a recent performance project: In the lunchtime concert on Friday 24th November, the string workshop and early music ensemble worked together for a performance of Brandenburg’s Fourth Concerto, and the beautiful aria ‘Erbarme dich, mein gott’ from Bach’s St. Matthew’s Passion. Continue reading →

New Turner Sims RUSH tickets

Turner Sims intern and third year student Sabine Russell introduces the new RUSH ticket scheme: Many music students will have noticed that a new Student Newsletter from Turner Sims landed in their inboxes a couple of weeks ago about a new RUSH ticket scheme. The idea for this initiative has come about to raise awareness of the free tickets made available by Turner Sims for their concert series. Continue reading →

Jack Wylie (Portico Quartet) ‘VIP Guest Talk’

On Friday 13th October, Jack Wylie from the group Portico Quartet visited the Southampton Music Department to deliver a ‘VIP Guest Talk' about his career and approach to making music. 3rd-Year Music student Archie Combes tells us more: After performing a short solo set of soprano sax and electronic loop pedals, Jack talked extensively about how he forged a career in music whilst still being able to stay true to his own artist intentions. Continue reading →

By Jupiter!

Professor of Music and Head of Keyboard Studies, David Owen Norris tells us about tonight's concert at Beaulieu. I've been preparing for our Jupiter Project concert in the spectacular Upper Drawing Room at Palace House, Beaulieu, at 6.30pm on Wednesday 4th October: sibbing the parts of Clementi’s ‘adaptation’ of Mozart’s Jupiter Symphony, for flute, violin, cello and piano. Continue reading →

Recording the Modern Harpsichord – Persichetti’s Sonatas

PhD researcher Christopher D. Lewis has recently submitted his doctoral thesis AND is about to relase a new recording - double congratulations! Here he introduces us to the harpsichord music of Vincent Persichetti, whose sonatas are the focus of his most recent project: Christopher D. Lewis (Harpsichord): Vincent Persichetti: Harpsichord Sonatas Nos. 1, 3, 5, 8, 9 and Serenade. Release worldwide 14 July 2017.  Naxos Records: https://www.naxos.com/catalogue/item.asp?item_code=8. Continue reading →

Summer performances – on and off the air

Professor David Owen Norris describes his summer projects - a special post for all the students who think the staff are on holiday when term is over :) Pianos & Premieres The Geffrye Museum has very kindly decided to give us an 1812 Strecker grand pianoforte with divided pedal. This will fit very well with our other instruments with divided pedals – a Ganer Square of 1781, a Broadwood grand of 1828, and a Bechstein of 1902. Continue reading →

Sound Heritage down under

Jeanice Brooks reports on the latest Sound Heritage venture: I've just returned from a wonderful symposium at Elizabeth Bay House in Sydney, organised by Dr Matthew Stephens of Sydney Living Museums. Matthew is the research librarian of SLM's Caroline Simpson Library and Research Collection, and he has been the international member representing Australia at the study days held by the Sound Heritage network in the UK over the past two years. Continue reading →

Line Upon Line

Jamie Howell, MMus Composition student, tells us about a recent concert and workshop by the group Line Upon Line. Having arrived from their hometown of Austin, Texas the previous day, the contemporary percussion group Line Upon Line gave a brilliant performance of new and recent music in a lunchtime concert on Monday 6th March. Continue reading →

Conducting Acis and Galatea

Lucy Grant (year 2) tells us about the her experience as Musical Director of the university's Chamber Opera Society production last weekend: Acis and Galatea is an opera composed by Handel, based upon a text by the author John Gay. The opera was first performed in 1718 as a single act piece; however, Handel later devised a two-act opera, first performed in 1739, and it was this version we performed. Continue reading →