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New opera for Graz

Klangforum Wien Composition lecturer Dr Matthew Shlomowitz has just received an exciting commission for a new opera: In early 2014 I submitted a short proposal for a one-hour opera to the 6th Johann Joseph Fux Competition for Opera Composition presented by the Province of Styria in Austria. Later in the year I was one of six composers selected to progress to the second round of the competition, and asked to write a scene and develop my proposal (concept, libretto) further. Continue reading →

The science of music

Hands On Sound: Imaging from HAWK (Hand and Wrist Kinetics) used as a live electronics controller Senior lecturer Dr Richard Polfreman and postgraduate researcher Dan Halford will be taking part in the University’s Science and Engineering Day this weekend on Saturday 14th March: Events are running all day on Highfield Campus, and details can be found on the event web site and Facebook page. Continue reading →

Celebrating women composers

Barbara Strozzi Professor of Music Laurie Stras has been working on a programme for a special BBC3 event: Next Sunday is International Women’s Day, and BBC Radio 3 is marking the occasion with a weekend of programmes celebrating female composers, including live concerts and discussion panels, documentaries and debate. I’m taking part along with one of my Southampton colleagues. Continue reading →

One week, two operas

Dr Francesco Izzo (Senior Lecturer in Music) talks about recent opera productions: Paula Murrihy (Orontea) and Sebastian Geyer (Creonte); Photo Monika Rittershaus I go to the opera frequently, but the past week has been an especially exciting one. On Sunday, 8 February at the Frankfurt Opera, I had the opportunity to attend one of the rare modern performances of Antonio Cesti’s L’Orontea—one of the most successful operas of the mid seventeenth century. Continue reading →

Orpheus in the round

Professor of Music Jeanice Brooks made a field trip to hear one of her favorite operas: Last week I went along with some of my Southampton Music colleagues to see Claudio Monteverdi’s Orfeo. Composed in 1607, it’s the earliest opera that is regularly staged today. It’s a piece I completely adore, and though I teach it both in first year music history and in a specialised module on Monteverdi for second and third years, I’ve had only a few chances to see it in the theatre. Continue reading →

Music and Disability – pioneering a new field for undergraduate study

Professor of Music Laurie Stras has been preparing an innovative and exciting addition to our undergraduate programme: Over the Christmas holidays, I spent time developing my new undergraduate module for Semester 2. Not very exciting, you might think, but when I say ‘new’, I mean not just new for me, or the Music department. I mean new for UK university music all together, and only the second undergraduate module of its kind anywhere in the world. Continue reading →

Best in the UK for Music research

Just after term ended, the results of the Research Excellence Framework (REF) 2014 were announced, and we are delighted that Southampton has been ranked as the top Music department in the UK for its research in musicology and ethnomusicology, composition and performance.  90% of our work was rated as world-leading or internationally excellent, with 68% achieving the very highest world-leading standard. Continue reading →

Cramer at Chawton

Chawton House Manikka, Harry and Laurence at in the Great Hall Pianist Harry Matthews (year 2) tells us about the most recent Music department concert at Chawton House Library: Last Tuesday, I went with Professor David Owen Norris, Laurence McNaughton and Manikka Marchant to provide a night of Georgian piano music at Chawton House Library. The concert was performed on an early 19th-century Stodart Patent Compensating Grand piano. Continue reading →