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Jeanice Brooks

Pianist Ingrid Barancoski reflects on her year in Southampton

Dr Ingrid Barancoski,  from the Villa-Lobos Institute at UNIRIO (Universidade Federal do Estado do Rio de Janeiro) reflects on her year in Southampton researching Nadia Boulanger and Almedia Prado: In June 2014, I was reading the book entitled The musical work of Nadia Boulanger, and found it fascinating.  Researching about the author, Prof. Jeanice Brooks, I came across the University of Southampton. Continue reading →

Sound Heritage down under

Jeanice Brooks reports on the latest Sound Heritage venture: The staircase hall at Elizabeth Bay House I’ve just returned from a wonderful symposium at Elizabeth Bay House in Sydney, organised by Dr Matthew Stephens of Sydney Living Museums. Matthew is the research librarian of SLM’s Caroline Simpson Library and Research Collection, and he has been the international member representing Australia at the study days held by the Sound Heritage network in the UK over the past two years. Continue reading →

Postcard from Potsdam

I’ve just returned from the State University of New York in Potsdam after participating in a fascinating festival on the French composer, conductor and pedagogue, Nadia Boulanger. When founded by the redoubtable Julia Crane in 1886, the Crane Normal Institute of Music was small enough to be run in the living rooms of a house on the town’s main street. Today, the Crane School of Music at SUNY Potsdam is a flourishing institution that boasts more than 500 undergraduate music majors. Continue reading →

Harpsichords at Cheltenham

This week postgraduate researcher and harpsichordist Christopher Lewis starred as player and presenter at the Cheltenham Music Festival –  for ‘A History of the Modern Harpsichord: An Afternoon at the Salle Cortot’.  Here he tells us more about the purpose of the event : The university’s Feldberg harpsichord on holiday in Cheltenham Early on Monday, a small group of us from the University of Southampton departed for the prestigious Cheltenham Music Festival. Continue reading →

Orpheus in the round

Professor of Music Jeanice Brooks made a field trip to hear one of her favorite operas: Last week I went along with some of my Southampton Music colleagues to see Claudio Monteverdi’s Orfeo. Composed in 1607, it’s the earliest opera that is regularly staged today. It’s a piece I completely adore, and though I teach it both in first year music history and in a specialised module on Monteverdi for second and third years, I’ve had only a few chances to see it in the theatre. Continue reading →