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An Ocean without History? CMA and SMMI Annual Lecture 24th March 17.45

This year the CMA turns 20, and as such we thought it a good time to take stock and think about what we do well and what we could improve on.  Out of this discussion came the desire to shine a brighter light on the research being conducted on maritime heritage (both within the  CMA and beyond) and to offer a space within which significant developments can be discussed. Continue reading →

The Loop Project – coming soon!

We are all looking forward to 3-5 February, when the Music Department will present a whole weekend of performances and workshops exploring musical loops. Leading jazz musicians Ivo Neame, Jasper Høiby and Jon Scott will join the HARTLEY Loop Orchestra to perform a major revision of Benjamin Oliver’s Loop Concerto, which was premiered by Neame and Kent County Youth Orchestra in 2013. Continue reading →

CMA on the Road

IKUWA 2016 conference marked a special event for Southampton’s Centre for Maritime Archaeology. Over twenty of us attended the event in Fremantle, at the Western Australia Maritime Museum, held for four days, November 28 till December 2nd, 2016. The conference began with a UNESCO roundtable on the first day. Regional underwater cultural heritage issues were brought to light, and general concerns were expressed. Continue reading →

‘Joy and Freedom’ in Paris

Associate Professor in Composition Matthew Shlomowitz reports on a recent trip to Paris. Last week I attended a dance performance at the Théâtre National de Chaillot in Paris that featured my work, alongside music by Tom Zé and Ben Harper. The show was titled La Fête (de l’insignifiance) and performed by the Paulo Ribeiro Dance Company, based in Portugal. The three Paris dates followed performances in Lisbon, Viseu, Coimbra and Flor in Portugal, and Besançon in France. Continue reading →

Rituals to Mould Her With – and workshop

By Jamie Howell, MMus Composition. On Monday 5th December the audience in Turner Sims were treated to an extraordinary new piece which seamlessly blended dance, live instrumental performance, electro-acoustic recordings and theatre. The work, entitled ‘Rituals To Mould Her With’, was a collaborative composition devised by composers Litha & Effy Efthymiou, harpsichordist Jane Chapman, actor Esmé Patey-Ford and dancer Harriet Parker-Beldeau. Continue reading →

Sound Heritage on the road

Tatton Park’s rich collection of printed and manuscript music Recent months have been especially busy for the Sound Heritage project, not only with our November study day at Tatton Park, but also with a new venture – Sound Heritage Ireland. Sound Heritage Ireland Sound Heritage Ireland is a new initiative convened by Dr Karol Mullaney-Dignam, whose research delves into social, economic and political aspects of music and dance in Irish country houses. Continue reading →

Sound Heritage at the RNCM

Last month Southampton PhD student Catherine Garry joined the Sound Heritage network at Tatton Park (Cheshire), for a study day featuring music from the house’s extensive library.  Sound Heritage joined forces with the Royal Northern College of Music to explore the music collected by Elizabeth Sykes, who married into the Egerton family of Tatton Park in the early 19th century. Continue reading →