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Workshops, Page 7

Summer break

Sumer is icumen in (English, mid-13th century) After a couple of busy Open Days last weekend, we are going to close down the blog for the summer.  Congratulations to all our finalists and postgraduates who will be graduating next week – we will try to post a few pictures here after the ceremony.  And we will look forward to welcoming everyone back when the new term starts in the autumn.  Until then, happy summer from the staff and students in Music at Southampton. Continue reading →

A year in Baby SUSO

Emma Blundell and Tricia Mann (year 3) spent part of their final year as highly successful educational managers of the innovative Baby SUSO scheme.  Here’s their report on how their work helped kids to participate in orchestral music: In 2010, Southampton University Symphony Orchestra‘s (SUSO) then President, Kat Hattersley, pioneered a pilot scheme called The Baby SUSO Project which aimed to bring orchestral music to children in local primary and secondary schools. Continue reading →

Interview with Laurence Crane

In the third and final of a series of interviews by postgraduate students with eminent composers who have come to visit us at Southampton Alex Glyde-Bates asks Laurence Crane some questions: Alexander Glyde-Bates (AGB): Your music seems to have more in common with the minimalist school of artists (Dan Flavin and Donald Judd) — a focus on letting unaltered objects simply exist as they are — rather than the process-driven musical minimalism of Reich, Riley or Glass. Continue reading →

Transatlantic thoughts

US scholar-performer Dr Vivian Montgomery reflects on her stay in Southampton during a Fulbright fellowship:  As I near the end of my time in the UK as a Fulbright Senior Scholar, I’m astonished by both how much has happened and how much more I could do with another 6 months. I came to Southampton in January after 5 days staying in Durham Castle for the Fulbright Forum. Continue reading →

Behind the scenes at the museum

The Museum of Musical Instruments, Edinburgh In a companion post to Chris Lewis’s blog on the Making of the Modern Harpsichord, PhD student Kate Hawnt writes about her own research for the project : Good morning from St Cecilia’s Hall, Edinburgh.  I am currently sitting in the Green Room of the Museum of Musical Instruments taking stock of the past day’s work. Continue reading →