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Postgraduate, Page 2

Bath Open Score Lab

Postgraduate composition student Alex Glyde-Bates tells about a recent visit to the Open Score Lab at Bath Spa University On the 1st February, myself, Ben Jameson and our supervisor, Dr Matthew Shlomowitz made our way to Bath Spa University. We had been kindly invited to talk about our work at a new research study group called Open Score Lab based at the University. Continue reading →

OUT-TAKE Ensemble presents: the music of Laurence Crane

Postgraduate Music student Ben Jameson tells about a forthcoming concert by new Southampton group OUT-TAKE Ensemble. OUT-TAKE Ensemble is a new contemporary music group based in Southampton, dedicated to commissioning new works by young composers and performing other experimental repertoire by more established names. The group’s founder is Southampton composition PhD student Alexander Glyde-Bates, who also contributes his tuba skills to the group. Continue reading →

Share The Sound

Share The Sound Festival has returned! If you’ve been involved or attended the event before we’re sure you can’t wait to see what 2017 holds. Whether you’ve been before or not, know that a sensational two days of jazz, pop, funk, rock and more are coming your way. If you’re not sure what we’re about, here is our Facebook page. Created for up and coming, unsigned artists, Share The Sound Festival is an annual live music event held at The Talking Heads in Southampton. Continue reading →

The Loop Project – coming soon!

We are all looking forward to 3-5 February, when the Music Department will present a whole weekend of performances and workshops exploring musical loops. Leading jazz musicians Ivo Neame, Jasper Høiby and Jon Scott will join the HARTLEY Loop Orchestra to perform a major revision of Benjamin Oliver’s Loop Concerto, which was premiered by Neame and Kent County Youth Orchestra in 2013. Continue reading →

Rituals to Mould Her With – and workshop

By Jamie Howell, MMus Composition. On Monday 5th December the audience in Turner Sims were treated to an extraordinary new piece which seamlessly blended dance, live instrumental performance, electro-acoustic recordings and theatre. The work, entitled 'Rituals To Mould Her With', was a collaborative composition devised by composers Litha & Effy Efthymiou, harpsichordist Jane Chapman, actor Esmé Patey-Ford and dancer Harriet Parker-Beldeau. Continue reading →

Sound Heritage at the RNCM

Last month Southampton PhD student Catherine Garry joined the Sound Heritage network at Tatton Park (Cheshire), for a study day featuring music from the house's extensive library.  Sound Heritage joined forces with the Royal Northern College of Music to explore the music collected by Elizabeth Sykes, who married into the Egerton family of Tatton Park in the early 19th century. Continue reading →

Ensemble Paramirabo @ Southampton

by postgraduate Music student Harry Matthews. For the first composition workshop of this academic year, the University was joined by a group of musicians from Canada named Ensemble Paramirabo. The group flew to Southampton from Montreal - giving a workshop on three new pieces following their performance at the Music Department Monday Lunchtime Professional Concert Series featuring a new work by Lecturer in Composition Benjamin Oliver, The Circus Animals’ Desertion. Continue reading →

Performing Jane Austen

Samantha Carrasco completed her PhD at Southampton in 2013, and is on the university's piano faculty.  Her research on the Austen Family Music Books is the basis for an exciting new concert venture with soprano Helen Neeves and harpist Kate Ham.  Their new promotional video is out now and gives a taster of the sounds of Jane Austen's world: https://vimeo. Continue reading →

Musica Secreta’s new CD

Professor Laurie Stras writes: Musica Secreta’s new CD – out in 2017 on Obsidian Records It’s always difficult to keep things a secret when you are excited about them. I have known for months that my ensemble Musica Secreta’s new CD, Lucrezia Borgia’s Daughter, was signed up for release on Obsidian Records, but have had to wait until this week to tell anyone. It’s been doubly difficult because this project has been part of my life for at least eight years. Continue reading →

Dedication

By Peter Bridgwood (MMus Performance) Written by the acclaimed playwright Nick Dear, Dedication explores the relationship between William Shakespeare and the 3rd Earl of Southampton Henry Wriothesley. Taking the extremely limited knowledge that we have about their relationship, Dear postulates three different story lines; an old man obsessed with the young Lord; a business relationship like any other; or a sordid love affair, condemned by the society of the time. Continue reading →

Harpsichords return to Mottisfont

University of Southampton researchers Katharine Hawnt and Christopher D. Lewis are involved in an exciting project to reintroduce the harpsichord at Mottisfont Abbey in Hampshire.  Booking for the 15 October event is now available from the Mottisfont event page. In March 2016 this small harpsichord was installed in the Boy’s Room at Mottisfont Abbey. Continue reading →

Composition PhD partnering

by Ben Jameson, Composition PhD student. During the summer of 2015 I was working on a piece called Construction in Metal, for electric guitar and Guitar Hero Xbox controller, that was due to be performed in November of that year. As usual during the compositional process, I was periodically sending drafts to my supervisors in order to get valuable advice and feedback on my progress and how well the piece was working. Continue reading →

Exchanging knowledge with the National Trust

Postgraduate researcher Kate Hawnt has been enjoying the advantages of an enthusiastic, non-academic audience for her work: On April 11th I ventured up to the National Trust-owned property, Mottisfont Abbey, to give a talk in their Knowledge Exchange Programme. This is a series of in-depth talks offered to National Trust volunteers and staff to widen their knowledge of the property they work in. Continue reading →

British music for the modern harpsichord

Modern harpsichord advocate and Southampton PGR student Christopher D. Lewis tells us about his new recording on the Naxos label, based on his PhD research: My new recording British Music for Harpsichord, released at the beginning of this month, includes 20th-century and contemporary works by Lennox Berkeley, Herbert Howells, Gavin Bryars and John Jeffreys. Continue reading →