PhD researcher Christopher D. Lewis has recently submitted his doctoral thesis AND is about to relase a new recording - double congratulations! Here he introduces us to the harpsichord music of Vincent Persichetti, whose sonatas are the focus of his most recent project:
Christopher D. Lewis (Harpsichord): Vincent Persichetti: Harpsichord Sonatas Nos. 1, 3, 5, 8, 9 and Serenade. Release worldwide 14 July 2017. Naxos Records: https://www.naxos.com/catalogue/item.asp?item_code=8.
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Professor David Owen Norris describes his summer projects - a special post for all the students who think the staff are on holiday when term is over :)
Pianos & Premieres
The Geffrye Museum has very kindly decided to give us an 1812 Strecker grand pianoforte with divided pedal. This will fit very well with our other instruments with divided pedals â a Ganer Square of 1781, a Broadwood grand of 1828, and a Bechstein of 1902.
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Tutor in Piano Duncan Honeybourne updates us on his recent performances and recordings:
My latest CD on the EM Records label, recorded in the Turner Sims Concert Hall last year, received four stars in the June edition of the BBC Music Magazine.
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BA Music finalist Kath Roberts tells about her summer of music activities:
Approaching what I called my âlast summer as a proper studentâ, I was lucky enough to take part in a number of musical projects!
The first was playing in the debut tour of the âStreet Orchestra of Londonâ, also known as SOL. Modelled on the Ricciotti ensemble in Holland, the orchestra was founded with the belief that âevery human being has an equal right to enjoy quality live music.
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Jon Gingell teaches guitar at Southampton University as well as working in theatre as performer, programmer and copyist. Â He is a Southampton Music graduate.
Over the summer break, I have been dividing my time between theatre work in Paris, Regentâs Park Open Air Theatre and the National Theatre, and live gigs on the european blues festival circuit with American singer-songwriter Earl Thomas.
In Paris I played guitar, ukulele and banjo for Damon Albarnâs musical Wonder.
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By Peter Bridgwood (MMus Performance) Written by the acclaimed playwright Nick Dear, Dedication explores the relationship between William Shakespeare and the 3rd Earl of Southampton Henry Wriothesley. Taking the extremely limited knowledge that we have about their relationship, Dear postulates three different story lines; an old man obsessed with the young Lord; a business relationship like any other; or a sordid love affair, condemned by the society of the time.
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Bethany Stenning, 4th Year BA Music (with Year Abroad) student reports on her varied summer activities.
During the summer I was asked to fly out to Dublin to take part in a short film. I was living in Dublin for the second half of my year abroad (I spent the first half in Paris), and whilst I was there I performed frequently at various pubs/cafes etc.
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Kerry-Ann Bronner spent the summer between years 2 and 3 learning all about the complexities of mounting the Proms, and applying knowledge from her degree course (as well as her tea-making skills!) to a real life employment context:
In May this year, I learned of an exciting opportunity offered by the BBC to spend a few weeks on a work experience placement within the Music Television department, working on the Proms.
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First stop for the summer vacation: the World Saxophone Congress. Kathryn Firth, who just finished her BA Hons Music, tells us about it here.
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This week postgraduate researcher and harpsichordist Christopher Lewis starred as player and presenter at the Cheltenham Music Festival - for 'A History of the Modern Harpsichord: An Afternoon at the Salle Cortot'. Here he tells us more about the purpose of the event :
Early on Monday, a small group of us from the University of Southampton departed for the prestigious Cheltenham Music Festival.
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Natalie Davies, who finished her BA Honours Music degree last summer, had operatic dreams come true over the summer: In May 2014, I was lucky enough to be accompanied by Erin Headley and Elizabeth Kenny on the lirone and theorbo respectively, whilst singing early music duets in a concert with my duet partner, Leila Zanette, at the University of Southampton.
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Head of Early Music Liz Kenny has been getting out of her comfort zone, playing very new music for a very old instrument:Â I use my instrument the theorbo â the largest of the lute family with an extra long neck â for many things: annoying people on crowded tube trains, confusing airlines, accompanying students, demonstrating continuo harmonies, playing with singers and baroque ensembles . . . and so on.
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Catherine Underhill (year 3) is organising a new activity through the student Music Society:Â Youâre probably thinking: what on earth is a Grade One-a-thon? Well, itâs what it says on the tin - a chance for anyone to get involved, learn a new instrument and ultimately reach grade one standard within a short time.
Just before the summer holidays began, I was speaking to a few friends in my year group about setting this up as a Music Society project.
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PhD researcher David Jayasuriya is writing his thesis on the application of Fonte and Monte harmonic schemata in the symphonies of Joseph Haydn. Over the summer vacation he had the opportunity to present some of his work at a prestigious international conference: A highlight of my summer break was to attend and present a paper at the International Mozart Kongress in Salzburg.
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