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Musicology

Schubert, Singing and Sexuality

Music's Dr David Bretherton was the mastermind behind last week's Schubert concert and masterclass - participants heard fabulous music, explored issues around composers' sexuality, and watched our students learn from international artists: During LGBT History Month 2019, the Department of Music and Turner Sims Concert Hall held two Schubert events connected to my Arts and Humanities Research Council (AHRC) Leadership Fellowship on queer music theory. Continue reading →

By Jupiter!

Professor of Music and Head of Keyboard Studies, David Owen Norris tells us about tonight's concert at Beaulieu. I've been preparing for our Jupiter Project concert in the spectacular Upper Drawing Room at Palace House, Beaulieu, at 6.30pm on Wednesday 4th October: sibbing the parts of Clementi’s ‘adaptation’ of Mozart’s Jupiter Symphony, for flute, violin, cello and piano. Continue reading →

How to Write a Dissertation

In the second of our series on third year research projects, Beth Walker talks us through the steps of her project on film music: Over the course of my final year I gave myself the challenge of writing a 10,000 word dissertation titled 'Emotion in Film Music'. This was my first time completing such an extensive academic project but it was definitely worth it (especially since it counted towards my degree!). Continue reading →

Sound Heritage down under

Jeanice Brooks reports on the latest Sound Heritage venture: I've just returned from a wonderful symposium at Elizabeth Bay House in Sydney, organised by Dr Matthew Stephens of Sydney Living Museums. Matthew is the research librarian of SLM's Caroline Simpson Library and Research Collection, and he has been the international member representing Australia at the study days held by the Sound Heritage network in the UK over the past two years. Continue reading →

A Constant Heart

PhD Student Kate Hawnt tells about recent developments in her research: Last week I had the honour of being invited to attend the book launch of a very special publication that has considerable significance for my research:  A CONSTANT HEART: The War Diaries of Maud Russell 1938-1945, edited by Emily Russell.  The event happened at the National Trust property Mottisfont Abbey, once home to Maud Russell and the rest of the Russell family.  Her youngest son, Raymond, is the focus of my PhD. Continue reading →

PerformArt Research Project

Valeria de Lucca, Lecturer in Music, reports on an exciting new project she is involved in. A three-day conference at the École Française de Rome from 5 to 7 December 2016 kick-started a new project funded by the European Research Council: PERFORMART: “Practicing, Producing, and Protecting the Arts in Rome (1644-1740). Towards a Shared History of Performing Arts in Roman Family Archives. Continue reading →

Sound Heritage on the road

Recent months have been especially busy for the Sound Heritage project, not only with our November study day at Tatton Park, but also with a new venture - Sound Heritage Ireland. Sound Heritage Ireland Sound Heritage Ireland is a new initiative convened by Dr Karol Mullaney-Dignam, whose research delves into social, economic and political aspects of music and dance in Irish country houses. Continue reading →

Sound Heritage at the RNCM

Last month Southampton PhD student Catherine Garry joined the Sound Heritage network at Tatton Park (Cheshire), for a study day featuring music from the house's extensive library.  Sound Heritage joined forces with the Royal Northern College of Music to explore the music collected by Elizabeth Sykes, who married into the Egerton family of Tatton Park in the early 19th century. Continue reading →

Handbook of Topic Theory in Featured Research

The Oxford Handbook of Topic Theory, edited by Professor of Music (and Head of Research) Danuta Mirka, has been added as a Featured Research article on the Women In Music Theory blog, under the auspices of the Society for Music Theory. The article includes a summary of the book by Professor Mirka, and a number of (very positive!) reviews from eminent publications.  The article can be found at the link below: https://womeninmusictheory.wordpress. Continue reading →

Performing Jane Austen

Samantha Carrasco completed her PhD at Southampton in 2013, and is on the university's piano faculty.  Her research on the Austen Family Music Books is the basis for an exciting new concert venture with soprano Helen Neeves and harpist Kate Ham.  Their new promotional video is out now and gives a taster of the sounds of Jane Austen's world: https://vimeo. Continue reading →

Musica Secreta’s new CD

Professor Laurie Stras writes: Musica Secreta’s new CD – out in 2017 on Obsidian Records It’s always difficult to keep things a secret when you are excited about them. I have known for months that my ensemble Musica Secreta’s new CD, Lucrezia Borgia’s Daughter, was signed up for release on Obsidian Records, but have had to wait until this week to tell anyone. It’s been doubly difficult because this project has been part of my life for at least eight years. Continue reading →

Harpsichords return to Mottisfont

University of Southampton researchers Katharine Hawnt and Christopher D. Lewis are involved in an exciting project to reintroduce the harpsichord at Mottisfont Abbey in Hampshire.  Booking for the 15 October event is now available from the Mottisfont event page. In March 2016 this small harpsichord was installed in the Boy’s Room at Mottisfont Abbey. Continue reading →