The Cello Suites and Mrs Bach
PhD researcher Nadya Markovska reflects on controversies of authorship and what this says about our attitudes to performance and composition: Bach’s Six Suites for Solo Cello (BWV 1007-1012) are among the most famous pieces in the canon of Western music. Recent claims by the Australian researcher Martin Jarvis about their authorship have become a media sensation, causing heated scholarly debates in normally restrained musicological circles.
Continue reading →