Month: October 2015

Month 3 Milestone: Preliminary report on deliverables

Our long-term goal is to create guidelines and exemplars to demonstrate how the active use of metadata can make research more effective, agile and timely for researchers. For Phase 2 we undertook to produce a “structural outline” to show what

Developing our deliverables

We have formed a working group with the specific aim of developing the structural framework that will not only be a key Phase 2 deliverable but also form the outline for the active use of metadata guidance that is our

Procedural Blending and Annalist

From Graham Klyne On Friday 9 October, Iris Garrelfs and Graham Klyne attended a “Linked Music Hackathon” at Goldsmith’s University.  The event was organised by Kevin Paige and David Weigl under the auspices of the Semantic Media projects SLICKMEM (Semantic 

Spreading the word

Since our 21st September meeting, as well as continuing our work on characterising metadata usage with Annalist and developing our documentation of the active metadata concept and how we might produce appropriate guidance, we have submitted two Practice Papers and

Musings of a sound artist on metadata and making art

From Iris Garrelfs 1. Data as material The principle of artworks visualising or sonifying scientific data sets is pretty well known. However, for some artists the role of research is to stimulate the imagination rather than to represent or produce

Metadata and experience

From Iris Garrelfs Yesterday, Thanasis and I met briefly to further discuss the nature and role of “experience” in relation to matadata. Not an easy subject to get one’s head around, but necessary as in my experience (no pun intended)