{"id":981,"date":"2012-05-15T16:36:36","date_gmt":"2012-05-15T16:36:36","guid":{"rendered":"https:\/\/digitaleconomy.soton.ac.uk\/?p=981"},"modified":"2014-01-29T08:35:12","modified_gmt":"2014-01-29T08:35:12","slug":"sxsc-presentation-and-demonstration-of-music-you-can-walk-inside","status":"publish","type":"post","link":"https:\/\/blog.soton.ac.uk\/wsi\/sxsc-presentation-and-demonstration-of-music-you-can-walk-inside\/","title":{"rendered":"SXSC Presentation and demonstration of \u201cMusic You Can Walk Inside\u201d"},"content":{"rendered":"<p>Music composed in the digital studio has always been heard on loudspeakers. All of the theatre and unpredictability of a performance is absent.<\/p>\n<p>Composer Benjamin Mawson investigates ways to use space as an expressive layer in studio-produced music.<\/p>\n<p>Developer Enrique Tomas has built a tool using GPS to interpret a listener\u2019s position and movement in order to create a unique way of hearing music.<\/p>\n<p>Musical compositions can now be spread across a landscape, mapped to a territory.<\/p>\n<p>Music is created which can now exist in a dialogue &#8211; at times symbiotic at others contradictory &#8211; with its physical surroundings.<\/p>\n<h3>Link<\/h3>\n<p><a href=\"http:\/\/music.benmawson.com\/\">http:\/\/music.benmawson.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music composed in the digital studio has always been heard on loudspeakers. All of the theatre and unpredictability of a performance is absent. Composer Benjamin Mawson investigates ways to use space as an expressive layer in studio-produced music. Developer Enrique Tomas has built a tool using GPS to interpret a listener\u2019s position and movement in order to create a unique &#8230;<\/p>\n","protected":false},"author":73492,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[84532],"tags":[20920],"class_list":["post-981","post","type-post","status-publish","format-standard","hentry","category-creativedigifest","tag-music","column","threecol"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p44UOk-fP","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/posts\/981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/users\/73492"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/comments?post=981"}],"version-history":[{"count":1,"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/posts\/981\/revisions"}],"predecessor-version":[{"id":3635,"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/posts\/981\/revisions\/3635"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/media?parent=981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/categories?post=981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/wsi\/wp-json\/wp\/v2\/tags?post=981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}