{"id":271,"date":"2025-02-18T16:23:16","date_gmt":"2025-02-18T16:23:16","guid":{"rendered":"https:\/\/blog.soton.ac.uk\/tdby\/?p=271"},"modified":"2025-02-18T16:23:16","modified_gmt":"2025-02-18T16:23:16","slug":"fashionably-unfashionable-the-afterlife-of-jg-farrell","status":"publish","type":"post","link":"https:\/\/blog.soton.ac.uk\/tdby\/2025\/02\/18\/fashionably-unfashionable-the-afterlife-of-jg-farrell\/","title":{"rendered":"Fashionably unfashionable &#8211; the afterlife of JG Farrell"},"content":{"rendered":"<p>The Anglo-Irish novelist JG Farrell would have been ninety in January had he not drowned in August 1979 while fishing in Bantry Bay.\u00a0 It was an anniversary that passed without comment.\u00a0 The harsh legacy of polio, contracted in Farrell\u2019s first year at Oxford, renders it unlikely that he would have reached old age, but what if he had?\u00a0 Contemporaries of Farrell such as John Fowles, Paul Scott and the slightly older Angus Wilson all enjoyed critical and commercial success in the final decades of the last century, and yet today their fiction is scarcely read; the authors of \u2018classics\u2019 in print and on screen, such as <em>The French Lieutenant\u2019s Woman<\/em> and <em>The Raj Quartet<\/em>, are now deeply unfashionable, dismissed for projecting obsolete ideas and attitudes.\u00a0 Farrell no longer enjoys a mass audience (did he ever?) and yet his reputation has survived into the twenty-first century, the likes of Salman Rushdie and John Banville lamenting the premature loss of a truly great writer.\u00a0 In an era of \u2018decolonising\u2019 the canon and the curriculum a novel like Scott\u2019s award-winning <em>Staying On<\/em> appears archaic in its depiction of post-independence India; and yet Farrell\u2019s \u2018Empire Trilogy\u2019 still stand as key texts of postcolonial literature: in 2008 <em>The Siege of Krishnapur<\/em> came close to winning the \u2018Best of Booker\u2019 vote and in 2010 <em>Troubles<\/em> effortlessly won the \u2018Lost Booker Prize\u2019 [for 1970 when a rule change had meant no competition], while in 2020 a big budget serialisation of <em>The Singapore Grip<\/em> on terrestrial TV gained extensive media coverage.\u00a0 Nor is this fashionable unfashionability a uniquely British and Irish phenomenon.\u00a0 Farrell spent long periods in France and in the United States, loudly lamenting his failure to break through in either country; posthumously, French and American critics applauded his ability to convey with humour and lightness of touch the fractious nature of imperial pomp (each of the \u2018Empire Trilogy is an NYRB Classic).<\/p>\n<p>Ironically, Farrell\u2019s earliest novels, particularly the <em>Lolita<\/em>-like <em>A Girl In The Head<\/em>, would generate fierce criticism were they still in print.\u00a0 The same might be true of the man himself if his selected letters and diaries, and Lavinia Greacen\u2019s 1999 biography, were better known: he was immensely popular, and yet his treatment of multiple girlfriends left a lot to be desired.\u00a0 Those same girlfriends were generously unforgiving, even in his lifetime.\u00a0 Shocked by his sudden death Farrell\u2019s wider circle of friends swiftly memorialised him: in dedications (Olivia Manning), in state-of-the-nation poetry (Derek Mahon) and in novels (Alison Lurie, and most especially Margaret Drabble).\u00a0 In 1981 appeared <em>The Hill Station<\/em>, an unfinished fictional return to nineteenth-century India complemented by insightful reflections on the man and his work.\u00a0 Rereading Farrell&#8217;s &#8216;Empire Trilogy&#8217; prompts a succession of questions.\u00a0 How do surviving friends like Drabble and Hilary Spurling view him today \u2013 was he an English or an Irish writer, or distinctively Anglo-Irish, and what relationship if any does he have to contemporary Ireland\u2019s astonishing array of novelists?\u00a0 South Dublin and rural Cork are wholly different from the locales Farrell knew in his formative years and final days, so can we in any way speculate on how he would have adapted to the fundamental shifts in Irish culture and society witnessed across the past thirty years?\u00a0 My gut feeling is that he would effortlessly have accommodated dramatically changing times, helped by his outsider status within Irish society (no having to accommodate a guilt-ridden Catholic upbringing, or sense of personal responsibility for the Church&#8217;s worst failings).<\/p>\n<p>It&#8217;s also worth asking how Farrell\u2019s novels have lived on inside and outside the academy; today are they better known courtesy of TV and radio?\u00a0 Between 2000 and 2010 the BBC\u2019s Radio 4 dramatised or serialised all three novels of the \u2018Empire Trilogy\u2019.\u00a0 With David Lean and others keen to film <em>The Siege of Krishnapur<\/em>, Farrell confidently anticipated his books one day transferring to the big screen.\u00a0 They never did, but in 1988 London Weekend recruited a stellar cast and production crew to make a well-received two-part adaptation of <em>Troubles<\/em>.\u00a0 Thirty-two years later ITV commissioned an old associate of \u2018Jim\u2019, Christopher Hampton, to write a six-part screenplay of <em>The Singapore Grip<\/em>.\u00a0 Why was this expensive prime-time production such an obvious failure; unlike <em>Troubles<\/em>, made at a high-water mark for British television drama?<\/p>\n<p>Farrell\u2019s publisher seized on the screening and streaming of <em>The Singapore Grip<\/em> to assert his relevance to an era of identity politics and global realignment.\u00a0 Here was a carefully orchestrated revival of an ostensibly forgotten novelist.\u00a0 Yet arguably he\u2019s never gone away, both in the British Isles and in North America.\u00a0 Since 1979 a succession of books and essays have examined Farrell\u2019s work from every angle; yet few if any have considered his continuing presence in our national conversation when the likes of Scott and Fowles are more and more forgotten.\u00a0 Here was a writer inspired by his lengthy stays in the United States, on easy terms with East Coast movers and shakers (he studied drama at Yale with Sam Shephard) and eager to observe America\u2019s fast-fading presence in south-east Asia.\u00a0 Farrell has a continued presence among British, Irish <em>and <\/em>American readers \u2013 a presence which, in what would have been his ninetieth year, deserves serious recognition and consideration.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Anglo-Irish novelist JG Farrell would have been ninety in January had he not drowned in August 1979 while fishing in Bantry Bay.\u00a0 It was an anniversary that passed without comment.\u00a0 The harsh legacy of polio, contracted in Farrell\u2019s first year at Oxford, renders it unlikely that he would have reached old age, but what &hellip; <\/p>\n<p><a class=\"more-link block-button\" href=\"https:\/\/blog.soton.ac.uk\/tdby\/2025\/02\/18\/fashionably-unfashionable-the-afterlife-of-jg-farrell\/\">Continue reading &raquo;<\/a><\/p>\n","protected":false},"author":53565,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-271","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/posts\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/users\/53565"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/comments?post=271"}],"version-history":[{"count":1,"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/posts\/271\/revisions"}],"predecessor-version":[{"id":272,"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/posts\/271\/revisions\/272"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/media?parent=271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/categories?post=271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/tdby\/wp-json\/wp\/v2\/tags?post=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}