{"id":272,"date":"2013-12-29T18:17:46","date_gmt":"2013-12-29T18:17:46","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/soundwaves\/?page_id=272"},"modified":"2014-01-24T12:35:35","modified_gmt":"2014-01-24T12:35:35","slug":"5-sum-and-difference-tones","status":"publish","type":"page","link":"https:\/\/blog.soton.ac.uk\/soundwaves\/hearing-sounds\/5-sum-and-difference-tones\/","title":{"rendered":"Sum and difference tones"},"content":{"rendered":"<h4>Non-linearity and distortion<\/h4>\n<p>When we drive a loudspeaker with a fluctuating voltage output by an amplifier, if the voltage is a purely sinusoidal fluctuation at a single frequency, we hope that the loudspeaker will produce a sound at the same single frequency. However, most real loudspeakers are slightly <strong>non-linear<\/strong> in their response; the sound output is not always perfectly directly proportional to the voltage input. This means that some additional frequency components get produced in the sound output even when only a single frequency is applied to the input. This is sometimes called <strong>non-linear distortion<\/strong>.<\/p>\n<p>Non-linearity in a hi-fi system produces unwanted distortion, but for the ear, non-linear behaviour is a critical feature that enables the large dynamic range of human hearing. The non-linearity of the ear has been known for over a century, but it was relatively recently that the primary causes of non-linearity have been identified. The middle ear is quite linear at normal listening levels. It is the inner ear non-linearity that produces distortion, which can be heard, and measured in the ear canal. In fact, the measurement of distortion products in the ear canal is used as a hearing test for newborn infants and children, since the distortion products are absent for certain forms of hearing impairment! But what is a distortion product ?<\/p>\n<h4>Distortion (or intermodulation) products<\/h4>\n<p>If two frequencies, <em>f<\/em><sub>1<\/sub> and <em>f<\/em><sub>2<\/sub>, are present in a sound, in principle, the ear non-linearity would produce intermodulation products equal to the sum and difference of the two frequencies, that is <em>m<\/em> <em>f<\/em><sub>1<\/sub> = <em>n<\/em> <em>f<\/em><sub>2<\/sub>, for any whole numbers m and n. In particular, it turns out that a difference tone of 2<em>f<\/em><sub>1<\/sub> &#8211; <em>f<\/em><sub>2<\/sub> is quite audible, for certain choices of frequencies. The demonstration below illustrates this phenomenon. It is simply a constant sine wave and a downward swept sine wave on two channels. Nonlinearities in the ear cause the listener to hear an intermodulation tone when both channels are played at the same time. As a result, a rising tone is heard. If you don&#8217;t notice it at first try increasing the volume of your loudspeakers.<\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-272-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/cdt2ks1.wav?_=1\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/cdt2ks1.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/cdt2ks1.wav<\/a><\/audio>\n<p>This technique allows psychoacousticians to probe the nonlinearities of the ear and to test the healthiness of the auditory system.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Non-linearity and distortion When we drive a loudspeaker with a fluctuating voltage output by an amplifier, if the voltage is a purely sinusoidal fluctuation at a single frequency, we hope that the loudspeaker will produce a sound at the same single frequency. However, most real loudspeakers are slightly non-linear in their response; the sound output [&hellip;]<\/p>\n","protected":false},"author":75333,"featured_media":0,"parent":64,"menu_order":8,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-272","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/users\/75333"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/comments?post=272"}],"version-history":[{"count":2,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/272\/revisions"}],"predecessor-version":[{"id":353,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/272\/revisions\/353"}],"up":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/64"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/media?parent=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}