{"id":235,"date":"2013-12-29T16:59:08","date_gmt":"2013-12-29T16:59:08","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/soundwaves\/?page_id=235"},"modified":"2014-01-24T16:51:21","modified_gmt":"2014-01-24T16:51:21","slug":"1c-further-harmonics","status":"publish","type":"page","link":"https:\/\/blog.soton.ac.uk\/soundwaves\/hearing-sounds\/1-harmonics\/1c-further-harmonics\/","title":{"rendered":"Further harmonics III"},"content":{"rendered":"<p>The figure below shows the composition of the complex tone in which the fundamental as well as the first two partials have been removed. <\/p>\n<p><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring21bis.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring21bis.png\" alt=\"notestring21bis\" width=\"460\" height=\"346\" class=\"alignnone size-full wp-image-236\" srcset=\"https:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring21bis.png 560w, https:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring21bis-300x225.png 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/p>\n<p>The audio files contain the note D with the fundamental, the first partial and the two first partials successively removed.<\/p>\n<h4>Note D<\/h4>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-235-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav4p.wav?_=1\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav4p.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav4p.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<h4>Note D without the fundamental<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-235-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav3p.wav?_=2\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav3p.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav3p.wav<\/a><\/audio>\n<p>This shows that even when the fundamental and the two first partials of a note are removed, the perceived pitch of the note remains unchanged although the character of the note is modified. This example illustrates the complexity of pitch perception.<br \/>\n&nbsp;<\/p>\n<h4>Note D without the fundamental or first partial<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-235-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav2p.wav?_=3\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav2p.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav2p.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<h4>Note D without the fundamental or first two partials<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-235-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav1p.wav?_=4\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav1p.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav1p.wav<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>The figure below shows the composition of the complex tone in which the fundamental as well as the first two partials have been removed. The audio files contain the note D with the fundamental, the first partial and the two first partials successively removed. Note D &nbsp; Note D without the fundamental This shows that [&hellip;]<\/p>\n","protected":false},"author":75333,"featured_media":0,"parent":217,"menu_order":4,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/users\/75333"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":6,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":366,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/235\/revisions\/366"}],"up":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/217"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}