{"id":224,"date":"2013-12-29T16:47:06","date_gmt":"2013-12-29T16:47:06","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/soundwaves\/?page_id=224"},"modified":"2014-01-24T16:51:05","modified_gmt":"2014-01-24T16:51:05","slug":"1a-further-harmonics","status":"publish","type":"page","link":"https:\/\/blog.soton.ac.uk\/soundwaves\/hearing-sounds\/1-harmonics\/1a-further-harmonics\/","title":{"rendered":"Further harmonics I"},"content":{"rendered":"<p>The picture below shows the composition of the complex tone when the fundamental is removed. The signal certainly looks very different but, as you can hear from the audio file, the pitch of the note is unchanged.<\/p>\n<p><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring4bis.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-225\" alt=\"notestring4bis\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring4bis.png\" width=\"460\" height=\"346\" srcset=\"https:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring4bis.png 560w, https:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/notestring4bis-300x225.png 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/p>\n<h4>Note D<\/h4>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-224-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav4p.wav?_=1\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav4p.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav4p.wav<\/a><\/audio>\n<p>&nbsp;<\/p>\n<h4>Note D without fundamental<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-224-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav3p.wav?_=2\" \/><a href=\"http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav3p.wav\">http:\/\/blog.soton.ac.uk\/soundwaves\/files\/2013\/12\/wav3p.wav<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>The picture below shows the composition of the complex tone when the fundamental is removed. The signal certainly looks very different but, as you can hear from the audio file, the pitch of the note is unchanged. Note D &nbsp; Note D without fundamental<\/p>\n","protected":false},"author":75333,"featured_media":0,"parent":217,"menu_order":2,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-224","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/users\/75333"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/comments?post=224"}],"version-history":[{"count":7,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/224\/revisions"}],"predecessor-version":[{"id":364,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/224\/revisions\/364"}],"up":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/pages\/217"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/soundwaves\/wp-json\/wp\/v2\/media?parent=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}