{"id":1620,"date":"2016-01-30T23:14:38","date_gmt":"2016-01-30T23:14:38","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/music\/?p=1620"},"modified":"2016-01-30T23:14:38","modified_gmt":"2016-01-30T23:14:38","slug":"conductus-iii","status":"publish","type":"post","link":"https:\/\/blog.soton.ac.uk\/music\/2016\/01\/30\/conductus-iii\/","title":{"rendered":"Conductus III"},"content":{"rendered":"

Professor Mark Everist has been leading the \u2018Cantum pulcriorem invenire\u2019 (CPI) project at the University of Southampton since 2010; it has brought to life the repertory of twelfth- and thirteenth-century poetry and music \u2013 known as the conductus<\/em> \u2013 through research, performance and recording. In addition to Everist\u2019s monograph for Cambridge University Press entitled Discovering Song: <\/em>Thirteenth-Century Latin Poetry and Music<\/em>, and an open-access online database of the entire repertory, members of the project team have been performing and recording the repertory in the UK and Europe.<\/p>\n

\"The<\/a>
The CD<\/figcaption><\/figure>\n

In addition to performing the repertory of the conductus<\/em>, the CPI artists, John Potter, Rogers Covey-Crump and Christopher O\u2019Gorman, under the direction of Mark Everist, have recorded three CDs for Hyperion Records. The third and final recording \u2013 Conductus III<\/em> \u2013 has just been released. Like the previous two recordings, it contains a range of conducti<\/em> for one, two and three voices, for the most part not performed for around 750 years. The project has created a total of 45 recordings of the conductus<\/em>.<\/p>\n

\"The<\/a>
The singers: John Potter, Rogers Covey-Crump and Christopher O\u2019Gorman<\/figcaption><\/figure>\n

Hyperion have preleased a rather nice mash-up of the CD on YouTube. It\u2019s at: https:\/\/www.youtube.com\/watch?v=1Rhn4SjPHmc<\/a>.<\/p>\n

John Potter has already written a blog about the new CD, the process of recording and the music we perform:<\/p>\n

http:\/\/www.john-potter.co.uk\/blog\/2016\/01\/29\/conductus-3-released\/<\/a>.<\/p>\n

Mark Everist<\/p>\n

\"Mark<\/a>
Mark Everist<\/figcaption><\/figure>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Professor Mark Everist has been leading the \u2018Cantum pulcriorem invenire\u2019 (CPI) project at the University of Southampton since 2010; it has brought to life the repertory of twelfth- and thirteenth-century poetry and music \u2013 known as the conductus \u2013 through research, performance and recording. In addition to Everist\u2019s monograph for Cambridge University Press entitled Discovering Song: Thirteenth-Century Latin Poetry and …<\/p>\n","protected":false},"author":57407,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[522519,207,66718],"tags":[],"class_list":["post-1620","post","type-post","status-publish","format-standard","hentry","category-musicology","category-performance","category-staff","column","threecol"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3YgXZ-q8","_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts\/1620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/users\/57407"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/comments?post=1620"}],"version-history":[{"count":2,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts\/1620\/revisions"}],"predecessor-version":[{"id":1625,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts\/1620\/revisions\/1625"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/media?parent=1620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/categories?post=1620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/tags?post=1620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}