{"id":1546,"date":"2016-01-10T21:40:58","date_gmt":"2016-01-10T21:40:58","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/music\/?p=1546"},"modified":"2016-01-19T09:08:36","modified_gmt":"2016-01-19T09:08:36","slug":"improving-verses-children","status":"publish","type":"post","link":"https:\/\/blog.soton.ac.uk\/music\/2016\/01\/10\/improving-verses-children\/","title":{"rendered":"Improving Verses for Children"},"content":{"rendered":"<p>Concert at Chawton House, 11th December 2015<\/p>\n<figure id=\"attachment_1547\" aria-describedby=\"caption-attachment-1547\" style=\"width: 489px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1547 \" src=\"http:\/\/blog.soton.ac.uk\/music\/files\/2016\/01\/LoderChawton.jpg\" alt=\"LoderChawton\" width=\"489\" height=\"367\" srcset=\"https:\/\/blog.soton.ac.uk\/music\/files\/2016\/01\/LoderChawton.jpg 2592w, https:\/\/blog.soton.ac.uk\/music\/files\/2016\/01\/LoderChawton-300x225.jpg 300w, https:\/\/blog.soton.ac.uk\/music\/files\/2016\/01\/LoderChawton-1024x768.jpg 1024w, https:\/\/blog.soton.ac.uk\/music\/files\/2016\/01\/LoderChawton-700x525.jpg 700w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><figcaption id=\"caption-attachment-1547\" class=\"wp-caption-text\">The performers: Lorna Beckett, Hannah Shilvock, Sabrina Beever &amp; Archie Combe, gathered round the Stodart grand piano in the dining room at Chawton.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>David Owen Norris, Professor of Music Performance, says:\u00a0 Our concert at Chawton went down well. It marked the 150th Anniversary of Edward Loder&#8217;s death by presenting some of his settings of Isaac Watts&#8217;s improving verses for children, best known today from their parodies in Lewis Carroll&#8217;s &#8220;Alice in Wonderland&#8221;. Watts was born in Southampton. Professor Gillian Dow read one of Maria Edgworth&#8217;s children&#8217;s stories: in her preface Edgworth quotes Dr Johnson&#8217;s tribute to Watts&#8217;s ability to write for children. The concert was the final event in the <a href=\"http:\/\/www.chawtonhouse.org\/?s=marilyn+butler\" target=\"_blank\">Marilyn Butler Conference<\/a>.<\/p>\n<p>Student Hannah Shilvock adds:<\/p>\n<p>It was really enjoyable learning the Loder songs to perform at the concert because it was definitely outside of my comfort zone and it was a really significant event. The Stodart pianoforte was a wonderful instrument to play, fitting the intimate environment of the concert very well. I wasn&#8217;t sure what sort of reception to expect from the audience &#8212; mainly conference delegates &#8212; but they loved the playful lyrics (especially those for the &#8220;Little Busy Bee&#8221;, my personal favourite). It was my first time accompanying a singer: it was a new and hugely rewarding experience. Chawton House is a beautiful venue and everyone made us feel very welcome.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Concert at Chawton House, 11th December 2015 &nbsp; David Owen Norris, Professor of Music Performance, says:\u00a0 Our concert at Chawton went down well. It marked the 150th Anniversary of Edward Loder&#8217;s death by presenting some of his settings of Isaac Watts&#8217;s improving verses for children, best known today from their parodies in Lewis Carroll&#8217;s &#8220;Alice in Wonderland&#8221;. Watts was born &#8230;<\/p>\n","protected":false},"author":57407,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[207],"tags":[],"class_list":["post-1546","post","type-post","status-publish","format-standard","hentry","category-performance","column","threecol"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3YgXZ-oW","_links":{"self":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts\/1546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/users\/57407"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/comments?post=1546"}],"version-history":[{"count":3,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts\/1546\/revisions"}],"predecessor-version":[{"id":1568,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/posts\/1546\/revisions\/1568"}],"wp:attachment":[{"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/media?parent=1546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/categories?post=1546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.soton.ac.uk\/music\/wp-json\/wp\/v2\/tags?post=1546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}