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Staff

Last month in jazz and pop

Our head of jazz and pop performance, Thomas Seltz, reports on October events: 30 October: In the first of four events organised in partnership between MuSoc (the Student Union Music Society) and the Music Department, the new generation of entertainers took to the stage of Talking Heads and delighted the crowds with their beautiful songs and youthful energy. On 24 October, the jazz performance class had a visit from Tim Garland. Continue reading →

Venus in Galway

Natalie Davies, who finished her BA Honours Music degree last summer, had operatic dreams come true over the summer: In May 2014, I was lucky enough to be accompanied by Erin Headley and Elizabeth Kenny on the lirone and theorbo respectively, whilst singing early music duets in a concert with my duet partner, Leila Zanette, at the University of Southampton. Continue reading →

Extending theorbo players from the inside

Head of Early Music Liz Kenny has been getting out of her comfort zone, playing very new music for a very old instrument:  I use my instrument the theorbo – the largest of the lute family with an extra long neck – for many things: annoying people on crowded tube trains, confusing airlines, accompanying students, demonstrating continuo harmonies, playing with singers and baroque ensembles . . . and so on. Continue reading →

Remembering the Great War

On 16th November, we are mounting the world premiere of a new work by Michael Finnissy, concerned with themes of war and remembrance in commemoration of the onset of WWI.  Lecturer in Composition Ben Oliver will conduct:  As the conductor of new music group Workers Union Ensemble I am fortunate to conduct around five to ten world premiere performances each year. I absolutely love learning and rehearsing new repertoire; it is such a joy to explore a new score with fellow musicians. Continue reading →

Music’s War-Torn World

During the 2014-15 academic year we will be mounting a series of concerts commemorating the Great War.  Here our head of keyboard studies, Professor David Owen Norris, explains the background to his upcoming concert 'Dreams of Germany: Music's War-Torn World': Mark Wilde (tenor), Joseph Spooner (cello) and I are putting on a day-full of music at St John’s Smith Square, London. It’s called A Dream of Germany – Music’s War-Torn World. Continue reading →

Transatlantic thoughts

US scholar-performer Dr Vivian Montgomery reflects on her stay in Southampton during a Fulbright fellowship:  As I near the end of my time in the UK as a Fulbright Senior Scholar, I’m astonished by both how much has happened and how much more I could do with another 6 months. I came to Southampton in January after 5 days staying in Durham Castle for the Fulbright Forum. Continue reading →

Excellence in Teaching Awards

Congratulations to our colleague Andy Fisher, Senior Lecturer in Music and Head of Commercial Composition, who was the winner for the Faculty of Humanities for 'Best Feedback' in this year's  Excellence in Teaching Awards.  These awards are sponsored by the Students' Union, and Andy was nominated by the SUSU Faculty Officer, Academic Presidents and Course Reps from the Faculty of Humanities. Continue reading →

Nuffield launch

Last Wednesday we had an event to mark the opening of the newly-refurbished Nuffield theatre Kitchen, a cafĂ© space that is housing the lovely Brinsmead baby grand that was given to us in the autumn.  Andy Fisher, our head of commercial composition, played Gershwin and accompanied postgraduate singer Lizzie Rogers in a sneak preview of some of the songs from his new one-woman show, Girl in a Crisis. Continue reading →

Why ‘Happy’ makes us happy

Yesterday's Guardian featured an article asking the experts why Pharell Williams's single 'Happy' works so well.  Southampton's own Andy Fisher, Head of Commercial Composition, provided an analysis of the musical basis of the song's appeal - check it out here. And here's the video of 'Happy' for anyone who needs cheering up today. https://www.youtube. Continue reading →

Meter in the Midwest

Reader in Music Danuta Mirka has just returned from Indiana, where she was a distinguished guest at one of the largest faculties of music in America: Last week I stayed in the US, guest lecturing and teaching in the Music Theory Department of the Jacobs School of Music at Indiana University, Bloomington. Continue reading →

Matthew Shlomowitz at the Adelaide Festival

Lecturer in Composition Matthew Shlomowitz reports back about a recent performance at the 2014 Adelaide Festival: Last September I wrote a post for this blog about a sixteen-minute piece I was working on at the time for the Adelaide Symphony Orchestra, which you can read here. The work was performed on March 9 in the Adelaide Festival and I’m pleased to say it went well. The work features a solo part for drum kit, and my mate Eugene Ughetti played the part brilliantly. Continue reading →