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Performance

Performance roundup

A few more items from the last month in performance: We were really chuffed to read this wonderful blog post from London Sinfonietta violinist extraordinaire David Alberman, who joined Southampton staff and students for the world premiere of Michael Finnissy's new work, Remembrance Day. This year jazz and pop students from the department of Music and MuSoc - the student music society - are putting on a series of nights at our partner live music venue, Talking Heads. Continue reading →

Places of Remembrance

Among the activities during last month's Remembrance Day premiere weekend was a composition workshop with guests from the world-leading new music vocal ensemble, EXAUDI.  Mate Szigeti describes the pieces he and fellow postgraduate composers created: The rite of remembrance is always connected with a place. We remember at festive dinner tables, we remember in churches, as we do in public spaces designated for this purpose. Continue reading →

Last month in jazz and pop

Our head of jazz and pop performance, Thomas Seltz, reports on October events: 30 October: In the first of four events organised in partnership between MuSoc (the Student Union Music Society) and the Music Department, the new generation of entertainers took to the stage of Talking Heads and delighted the crowds with their beautiful songs and youthful energy. On 24 October, the jazz performance class had a visit from Tim Garland. Continue reading →

Venus in Galway

Natalie Davies, who finished her BA Honours Music degree last summer, had operatic dreams come true over the summer: In May 2014, I was lucky enough to be accompanied by Erin Headley and Elizabeth Kenny on the lirone and theorbo respectively, whilst singing early music duets in a concert with my duet partner, Leila Zanette, at the University of Southampton. Continue reading →

Extending theorbo players from the inside

Head of Early Music Liz Kenny has been getting out of her comfort zone, playing very new music for a very old instrument:  I use my instrument the theorbo – the largest of the lute family with an extra long neck – for many things: annoying people on crowded tube trains, confusing airlines, accompanying students, demonstrating continuo harmonies, playing with singers and baroque ensembles . . . and so on. Continue reading →

Grade One-a-thon – getting started!

Catherine Underhill (year 3) is organising a new activity through the student Music Society:  You’re probably thinking: what on earth is a Grade One-a-thon? Well, it’s what it says on the tin - a chance for anyone to get involved, learn a new instrument and ultimately reach grade one standard within a short time. Just before the summer holidays began, I was speaking to a few friends in my year group about setting this up as a Music Society project. Continue reading →

Remembering the Great War

On 16th November, we are mounting the world premiere of a new work by Michael Finnissy, concerned with themes of war and remembrance in commemoration of the onset of WWI.  Lecturer in Composition Ben Oliver will conduct:  As the conductor of new music group Workers Union Ensemble I am fortunate to conduct around five to ten world premiere performances each year. I absolutely love learning and rehearsing new repertoire; it is such a joy to explore a new score with fellow musicians. Continue reading →

Summer in the Theatre

Continuing our 'What I did over the summer vacation' series, Catherine Underhill (year 3) tells us about her fantastic introduction to the music theatre business:  Back in May, I received an email from Youth Music Theatre (YMT) about a position of Assistant Music Director (AMD) for their shows over the summer. I knew a little bit about the company, so applied online and to my surprise I received an interview. Continue reading →

Coming Soon – Ben’s Fresh Klang!

Postgraduate composer Ben Jameson tells us about his upcoming performance in an exciting new music series:  Kammer Klang is a concert series that was founded by cellist and curator Lucy Railton in 2008, and is currently directed by percussionist and composer Serge Vuille. The series presents thematically linked programmes of new contemporary classical, experimental, improvised and electronic music. Continue reading →

Music’s War-Torn World

During the 2014-15 academic year we will be mounting a series of concerts commemorating the Great War.  Here our head of keyboard studies, Professor David Owen Norris, explains the background to his upcoming concert 'Dreams of Germany: Music's War-Torn World': Mark Wilde (tenor), Joseph Spooner (cello) and I are putting on a day-full of music at St John’s Smith Square, London. It’s called A Dream of Germany – Music’s War-Torn World. Continue reading →

A year in Baby SUSO

Emma Blundell and Tricia Mann (year 3) spent part of their final year as highly successful educational managers of the innovative Baby SUSO scheme.  Here's their report on how their work helped kids to participate in orchestral music: In 2010, Southampton University Symphony Orchestra's (SUSO) then President, Kat Hattersley, pioneered a pilot scheme called The Baby SUSO Project which aimed to bring orchestral music to children in local primary and secondary schools. Continue reading →

Transatlantic thoughts

US scholar-performer Dr Vivian Montgomery reflects on her stay in Southampton during a Fulbright fellowship:  As I near the end of my time in the UK as a Fulbright Senior Scholar, I’m astonished by both how much has happened and how much more I could do with another 6 months. I came to Southampton in January after 5 days staying in Durham Castle for the Fulbright Forum. Continue reading →